Morning Mist at the Taj Mahal, No. 5 by Yoshida Hiroshi, 1932 Finish:Framed art print as well as the vast

as well as the vast Arctic and North Atlantic Oceans

this piece reflects the atmosphere and poetic stillness central to Kawase's celebrated landscapes

Mapmaker/Publisher: George H

showcasing its architectural grandeur and urban planning

Morning Mist at the Taj Mahal, No. 5 by Yoshida Hiroshi, 1932 Finish:Framed art print as well as the vastYoshida Hiroshis Taji Maharu no asagiri, daigo (Morning Mist at the Taj Mahal, No. 5), created in 1932, is a masterwork of the Shin hanga movement that captures the Taj Mahal as a luminous apparition at daybreak. Rather than presenting a strict architectural study, Yoshida renders the worldfamous mausoleum as it emerges through a veil of morning hazeits domes and minarets softened by atmospheric light. The composition balances the monuments symmetry