![PASSING THROUGH MOVING IN AND GETTING AWAY WITH IT: GORDON MATTA-CLARK NEW YORK CITY GRAFFITI PHOTOGRAPHS, 1972–73 / Gordon Matta-Clark [SECOND PRINTING] Anuschka Blommers The plates are in good](https://cdn.shopify.com/s/files/1/0716/7790/3145/files/PASSINGTHROUGHMOVINGIN.jpg?v=1770892626)
PASSING THROUGH MOVING IN AND GETTING AWAY WITH IT: GORDON MATTA-CLARK NEW YORK CITY GRAFFITI PHOTOGRAPHS, 1972–73 / Gordon Matta-Clark [SECOND PRINTING] Anuschka Blommers The plates are in good
Description
The plates are in good condition
It is bound in a format that lays flat
Susanne Kriemann
Marco Casino
PASSING THROUGH MOVING IN AND GETTING AWAY WITH IT: GORDON MATTA-CLARK NEW YORK CITY GRAFFITI PHOTOGRAPHS, 1972–73 / Gordon Matta-Clark [SECOND PRINTING] Anuschka Blommers The plates are in goodGordon Matta Clark 197219731,500 Antonio Sergio BessaJonathan Lethem From 1972 to 1973, Gordon Matta Clark took over fifteen hundred photographs of graffiti in New York City. These pictures are some of the earliest documentation of an emerging art form, and are an under recognized body of work from Matta Clarkan artist who used the citys crumbling infrastructure to reveal the social and political implications of architecture and urban design. This
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