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Shore spent nearly every day there
Refashioning ceremonial adornments worn by chiefs and patriarchs of the past
Filled with shocking observations about the lives
tangible object and the incorporeal—be it a sensation
Margaret Kilgallen: that's where the beauty is. Glass Shore spent nearly every dayImpure Americana, a slightly acidic nostalgia that evoked sideshows, tramp art and old travel posters with infusions of feminist wit. Roberta Smith, New York Times. Margaret Kilgallen: thats where the beauty is., was published by the AAM on the occasion of Kilgallens first posthumous museum exhibition, and the largest presentation of her work in more than a decade on view from January June 2019. Using the artists exhibition history as a chronological
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