Design for the Cover of the Almanac The Blue Rider VII by Wassily Kandinsky, 1911 Finish:Framed art print is renowned for his imaginative

is renowned for his imaginative and dreamlike scenes that defy conventional artistic boundaries

The map covers a rectangular area that encompasses many of the city's most famous neighborhoods

The portrayal of ice

Interesting context about the mapmaker: Max Gill was an accomplished cartographer known for his decorative maps

Design for the Cover of the Almanac The Blue Rider VII by Wassily Kandinsky, 1911 Finish:Framed art print is renowned for his imaginativeDesign for the cover of the almanac The Blue Rider III (1911) by Wassily Kandinsky introduces the visionary spirit of Der Blaue Reiter at the very moment of its birth. Conceived in 1911 for the influential almanac that gave the Munich based group its name, this cover distills the movements quest for spiritual expression through color and form. KandinskyRussian born painter, theorist, and pioneer of abstractionchannels an equestrian emblem of freedom