(2022) Mozart: Concertos for flute and orchestra In memoriam Jacqueline Tscholl-Ducommun We could stop there
Description
We could stop there
The testimony of an artist’s musical process on the basis of Mozart’s flute concerti is particularly interesting
In addition to his engagements in Porto
No menos atractiva resulta Les Trianons (1946)
(2022) Mozart: Concertos for flute and orchestra In memoriam Jacqueline Tscholl-Ducommun We could stop thereENCHANTED FLUTE Read reviews If Mozart gave the concerto of his time its ultimate shape, it is because he transferred to it all the characteristics of the opera aria, giving the cantabile which he often mentions in his correspondence most significant importance and transforming the vocal virtuosic runs instrumental figurations. The soloist is a character whose rhetoric gives the orchestral material presented in the introduction a deeper, more intimate
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