(1988) Busoni & Raff: Piano Concertos id_qobuz:http://www.qobuz.com/album/ferruccio-busoni-joseph-joachim-raff-musique-pour-piano-et-orchestre/0829410495769 This is also reflected in

This is also reflected in Weiss’ frequent use of Italian terms such as suonata

Vanerovsky and Anonymous

Their numerous recordings

little cross-rhythms come and go (as in the opening bars of No

(1988) Busoni & Raff: Piano Concertos id_qobuz:http://www.qobuz.com/album/ferruccio-busoni-joseph-joachim-raff-musique-pour-piano-et-orchestre/0829410495769 This is also reflected inJean Franois Antonioli, the gifted young virtuoso pianist from Lausanne, presents his first recording of bravura works from the 19th century. With brilliance and vivacity he brings new life to two neglected late Romantic compositions by Swiss composer Joseph Joachim Raff (18221882): the Piano Concerto in C Minor, Op. 185, dedicated to Hans von Blow, and the formally innovative concertino Ode to Spring, Op. 76. Antonioli contrasts these two finely