(1994) Niccolò Paganini: 24 Caprices, Op. 1 John Stanley Neither utilized a modern compositional

Neither utilized a modern compositional system or founded a school of composition

The young virtuoso presents here his first solo recording featuring transcriptions for harp of classical masterpieces

Telemann’s music represents the combination of elements from the «maniera italiana» (lyrical

Philip Jones and his musicians have been in Australia twice and visited the Near and Far East

(1994) Niccolò Paganini: 24 Caprices, Op. 1 John Stanley Neither utilized a modern compositionalRobert Schumann was one of the first to recognize Niccol Paganini not only as a demonic virtuoso but also as a poetic composer. After having heard Paganini in Frankfurt in 1830 he immediately set out to write a piano fantasy on a theme by the composer virtuoso the spell that Paganini had cast on Schumann would remain throughout his life. In his last years Schumann wrote a piano accompaniment to Paganinis masterpiece for solo violin, the 24 Caprices,