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流行通信 Ryuko Tsushin vol.489 (March, 2004) BANANAFISH BOOKS and affective valences of the

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and affective valences of the site-specific installation

和田夏実

河野 幸人

Louis Fratino & Shota Nakamura

流行通信 Ryuko Tsushin vol.489 (March, 2004) BANANAFISH BOOKS and affective valences of the* 489 471200294942004820046 idea 317 (July, 2006) Kuzunari Hattori 100 pages Ryuko Tsushin was a magazine that, despite its primary focus on fashion, exerted a profound influence on the landscape of Japanese graphic design. Over the years, its art direction was helmed by distinguished figures such as Tadanori Yokoo, Ikko Tanaka, and Kazunari Hattori. Starting with its renewal issue, Vol. 471 (September 2002), Kazunari Hattori assumed the role of art

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