(2004) Claude Debussy: Pelléas et Mélisande J.A. Alvarez-Parejo Both compositions are beautiful examples

Both compositions are beautiful examples of transcendental French orchestral music

this work was not composed for liturgical use

it is clear that the instrument had a role very much on a par with the clarinet

from which Beethoven's genius emerged victorious and more mature each time

(2004) Claude Debussy: Pelléas et Mélisande J.A. Alvarez-Parejo Both compositions are beautiful examplesGrard Souzay (Golaud) and Eric Tappy (Pellas) side by side in a production of Claude Debussys opera Pellas et Mlisande under the direction of Jean Marie Auberson at the Grand Thtre in Geneva on 20 March 1969 Claves offers the opportunity to relive this exceptional moment in a recording from its new series CHRONOS dedicated to particularly remarkable archive recordings. Under Radio Suisse Romandes microphones the singers excelled and sparked a dialogue